Alan Turry, DA, LCAT, MT-BC

Nordoff-Robbins Music Therapist

Alan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music TherapistAlan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music TherapistAlan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music Therapist
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Alan Turry, DA, LCAT, MT-BC

Nordoff-Robbins Music Therapist

Alan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music TherapistAlan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music TherapistAlan Turry, DA, LCAT, MT-BC Nordoff-Robbins Music Therapist
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research

“The Music Engagement Scale (Turry, et. al., 2022) has all the necessary features to be considered a gold-standard instrument.” - Gustavo Gattino, Ph.D.


Associate Professor of Music Therapy, Aalborg Universitet

MUSIC ENGAGEMENT SCALE RATER TRAINING

“Engagement is a significant element to measure, as without the musical engagement no therapeutic relationship can exist and therefore, no clinical goal can be achieved. Once you’ve trained in MES, it is very easy and time-saving to use it and it gives valuable information for both research and clinical work. It made me think about why an intervention was effective and why not, and I think that this made me a better music therapist myself. It was wonderful staying connected to the global music therapy community, researchers and clinicians from different fields and this – interdisciplinary collaborations – is something that the Music Engagement Scale encourages.”

- Vasiliki Tsakiridou, Music Therapist, BMGIM Therapist

School of Music Studies, Aristotle University of Thessaloniki, Greece

“As a participant in a virtual, week-long group music therapy summer course in 2021, I was impressed by Dr. Turry's commitment to showing that music therapy helps support autistic children, and by his presentation of the MES (Music Engagement Scale) as a response to the 2017 TIME-A study. I decided to volunteer as a research assistant, and completed the MES rater training led by Dr. Turry. In teaching both group music therapy and the MES, Dr. Turry created an inviting space, where students were invited to try things out, while maintaining clear objectives with respect to transmission. Through the summer course, and through the training, I learned a lot about both the history of the Nordoff Robbins approach and about what constitutes engagement in music therapy in this tradition. Since then, as part of work to finalize the MES, the research team has discussed excerpts from Dr. Turry's music therapy sessions. He is very skilled at creating musical spaces for his clients to step into. When they do, their contributions are treated creatively, and with respect. Creating these spaces is an act that requires confidence, and patience. Dr. Turry has an ear, and a way of imparting what he hears, that elicits excitement about listening in both his students and his clients. I feel privileged to have learned more about the Nordoff-Robbins approach through his teaching.”

- Heidi Arsenault, Music Therapist in private practice in Montreal, QC

“I joined Nordoff Robbins in January of 2021, it was my field work site for an NYU Applied Psychology seminar, and I enjoyed it so much I stayed after an extra semester to help with the research on the MES scale. I do not have a big music background, I am a dancer and the most music theory I know I learned from being in musical theatre shows (which did not teach me much). This scale and the training was laid out in a way where someone like me, without a music heavy background, could understand and use it. Discussing our scores and why we thought certain sessions should be rated in a certain way helped clarify nuances in the scale. Watching many sessions and using the scale was really what made me comfortable with the MES and made me feel confident that my ratings would be similar to other raters.”

- Jordan Lopez

Administrative Aide II, NYU Music and Performing Arts Professions

“Utilizing the MES scale as a music therapy student enriched my understanding of the unique ways clients can engage in sessions. The training I experienced encouraged team discussion, questions, brainstorming, adjustments, and clarification. It helped me identify and celebrate specific moments of connection within the music and with each other.”

- Tia Mae Frostrom, MT-BC

“As a future researcher and music therapist who wants to study the mechanisms of the brain when engaging in music, including the therapeutic process using music, this experience will contribute to my future research and theory development of how music may impact our lives. 


As music’s impact may not necessarily manifest as behavioral changes, which we may observe at a glance, I think that the development of the MES scale is an interesting attempt to capture music’s potential impact on clients by focusing on the musical elements, which may reflect on their internal processes. 


It was an honor to be involved in the process of developing the scales and rating the clients’ sessions for Nordoff-Robbins music therapy. Thank you! ”

- Rina Tabuchi, Music Therapy Intern, Mount Sinai Beth Israel NYC 

Montclair State University, NJ

“Alan inspired my desire to obtain a PhD and my ongoing interest in music therapy research. I am really glad to be participating in the online training regarding the Music Engagement Scale he has developed at NYU. I think the MES will provide good support for clinicians and researchers as it focuses on the client’s engagement level during music therapy sessions. This is  closely aligned with an idea that informed my PhD study as well, i.e. that data from within sessions are crucial to reveal the clinical changes that are the  milestones of the music therapy process.” 

- Paolo Pizziolo, PhD

Music Therapist 

Centro Toscano Musicoterapia (CeToM)  

Registered at Italian Professional Association of Music therapy AIM 385/2021

“It should be noted that the instrument complies with the guidelines for test construction entitled, "The Standards for Educational and Psychological Testing", which was organized by the American Educational Research Association (AERA), American Psychological Association (APA) and National Council on Measurement in Education (NCME) in the year 2014. 


One of the points to be highlighted is that the instrument is a revised version of the Music Therapy Communication and Social Interaction (MTCSI). It is still uncommon in music therapy to revise existing assessment instruments, recognizing their possible limitations and aspects that can be improved for greater use. In fact, in a review prepared by Gattino (2021), only three assessment instruments presented precise changes concerning an earlier version.


Instrument modifications are usually the result of the wide use of a tool in clinical practice. Thus, recognizing the excellence of the assessment practices within Nordoff-Robbins Music Therapy, it is clear that these changes came from the needs that emerged in the clinical practice.”

- Gustavo Gattino, Ph.D.

Associate Professor of Music Therapy, Aalborg Universitet

Music Upper Limb Therapy-Integrated (MULT-I)

An Inspiring Development

“Working with Alan Turry and his team at Nordoff Robbins has been one of the most rewarding experiences in inter-professional collaboration. In developing Music Upper Limb Therapy-Integrated (MULT-I), we discovered that when we take the best of what each discipline has to offer, we can bring out the best in our patients - the result is indeed greater than the sum of its parts. I am so excited about the new center and the possibilities it opens up for music therapy, for rehabilitation, and for healing.”

- Dr. Preeti Raghavan, MBBS

Sheikh Khalifa Stroke Institute Endowed Chair, 

Vice Chair Research, Dept. of Physical Medicine and Rehabilitation

Director, Recovery and Rehabilitation, Sheikh Khalifa Stroke Institute

Associate Professor of Physical Medicine and Rehabilitation and Neurology, Johns Hopkins University School of Medicine


Learn More

The MULT-I Approach has been the subject of several peer-reviewed journal articles.

Find out more

Research Collaborations

Dr. Nina Guerrero (standing second from left), was one of the music therapists working directly with the participants and was instrumental in the design, development and implementation of this stroke rehabilitation research project.

Daniel Geller (seated far right), EdD, MPH, OTR/L, was the occupational therapist working directly with participants. In collaboration with Dr. Turry and Dr. Guerrero, the team designed and implemented a group music-making intervention, Music Upper Limb Therapy-Integrated (MULT-I), to address the physical, psychological and social domains of stroke rehabilitation simultaneously.


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qualitative research

Doctoral Dissertation

THE CONNECTION BETWEEN WORDS AND MUSIC 


IN MUSIC THERAPY IMPROVISATION: 


AN EXAMINATION OF A 


THERAPIST'S METHOD

Find out more

“Alan is very sensitive to the Italian language musicality and the way in which emotions are expressed prosodically. One evening I was discussing with him my song writing work in a psychiatric jail. At the end of the clinical process we  were recording the prisoner's song using a portable 4 track digital recorder. I told Alan I had a lot of issues with a piece that was based on a mix of a sung and spoken vocal performance by the prisoner. He listened to this once and then he asked me to record a track. Alan started to improvise music along with the prisoners' vocal track and I found it was really amazing how his piano track was so closely attuned to the prisoner’s song content--even if Alan didn’t understand the literal meaning of what the prisoner had sung.”

- Paolo Pizziolo, PhD

Music Therapist 

Centro Toscano Musicoterapia (CeToM)  

Registered at Italian Professional Association of Music Therapy AIM 385/2021


Copyright © 2025 Alan Turry, DA, LCAT, MT-BC, Nordoff-Robbins Music Therapist, Professor of Music Therapy, NYU Steinhardt - All Rights Reserved.

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